Whiskey in the Jar
Intro:
Whiskey in the jar is a traditional Irish song perhaps
dating from as far back as 1650. It contains many popular themes found in that
genre of song, drinking, sex and killing Englishmen. It was also one of the
biggest rock songs ever.
The scenes:
It’s 1972, eleven Israeli athletes are killed by Arab gunmen
at the Munich Olympics. Bloody Sunday show the escalation of tensions between
the IRA and the British government with the loss of innocent lives. The Watergate
Scandal comes to light in the US.
In 1998 the Good Friday agreement puts an end to the
sectarian violence in the north of Ireland. Bill Clinton denies having sexual
relations with Monica Lewinsky, only to later admit that he did.
The Original:
The song Whiskey in the Jar was released by the Irish rock
band Thin Lizzy by their record label Decca. It topped the Irish charts and
reached no. 6. In the U.K. The band itself disliked the decision to release it,
feeling that it didn’t represent the band sound.
Eric Bell’s Guitar dominates this track, basically taking
over the melodic duties that violins, tin whistles and uilleann pipes would
have on a more traditional version. Phil Lynot’s characteristic husky voice
delivers the lyrics with a passion that’s lacking on the Metallica version, but
then this song has an emotional feeling to it for the Irish band that is probably
absent for the American.
The Version:
Metallica’s version was off their cover album Garage Inc.,
which won a Grammy award for Best Hard Rock performance. It’s heavier than the
original, with the bass featuring more prominently and distorted guitars
replacing the acoustic rhythm guitar. James Heatfield’s characteristic snarl
maybe
feels detached, when compared to the original but fits the bands style
better.
Conclusion:
Since I’m Irish, I can’t help but like the Thin Lizzy
version more, but I recognize that the Metallica version obviously has its fans.
The version also kind of cements Thin Lizzy’s reputation as a major influence
on modern hard rock and metal despite not having a really huge commercial success.
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